We were attending a writers group meeting in the Florida retirement community of Sun City Center. The group had been hijacked by Christian fundamentalists.
My Friend Keith
The first time I met Keith Connes, he was getting raked over the coals.
Category: Literature
93-year-old Woman Nabbed for Impersonating Glenn Gould
It’s not often that a wondrously bizarre story drops into your lap.
But when it does, I believe it must get told, and as soon as possible. Have you ever heard of News of the Weird, that syndicated email column begun in the late 80s? It supplies digests of outlandish stories that happened the previous week, like a woman canceling her marriage to a ghost because it “kept disappearing.” Well, this is one of those stories. And it happened to me.
Continue reading “93-year-old Woman Nabbed for Impersonating Glenn Gould”
Nothing But the Facts
IN WHICH I learn the Facts of Life. Twice.
Dad picked the wrong time and place to explain The Facts to me. The time, well that’s complicated. I’ll get to that. But the place . . .
Best Friend
Had I known I’d be writing about Steve, my first adolescent friend, I would have carried my Brownie Hawkeye camera around with me more.
IN WHICH I learn that friendship is more complicated than enemyship.
I’ve never been friends with anyone in the same way I was with Steve Demetrious. It was one of those “more than” relationships. We were more than schoolmates, more than movie companions, more than teammates, more than confidants.
Bullyland, Part III: Fists Don’t Fail Me Now
You may not believe what I’m about to tell you, and I wouldn’t blame you. I have trouble believing it myself, nearly sixty years later.
Another Bully for Me, Part I: Complications
IN WHICH I learn the subtle side of conflict.
Paul Dabuse was the toughest kid in the seventh grade and I knew this because I once saw him fight. It was enough to brand him in my brain as someone I didn’t want to mess with. Continue reading “Another Bully for Me, Part I: Complications”
Bullyland, Part I: Fast Learner
This article will be in the “Chapters” section of my memoir-in-progress, Greatest Hits of Junior High, a Memoir of Friends, Bullies, Girls, and Catholics (Illustrated).
Continue reading “Bullyland, Part I: Fast Learner”A Cinderella That Creates Genuine Magic
Boston Center for the Arts Plaza Theatre, Opera del West performance of Jules Massenet’s Cendrillon. Music by Jules Massenet, Libretto by Henri Cain. Artistic Director: Eve Kochen Budnick. Stage Director: Rebecca Kratzer. Cendrillon: Jennifer Jaroslavsky; Prince Charmant: JoAnna Pope; Pandolfe: Craig Juricka; Madame de la Haltiere: Suzanna Guzman; La Fee: Sulgi Cho.
August 11, 2019
Kudos to Eve Budnick, Artistic Director for Opera del West’s Boston Plaza Theatre at the Boston Center for the Arts in the South End! She performed miracles in such a small performance space, turning it into a magical version of Jules Massenet’s opera, Cendrillon (Cinderella). The production included hefty vocal work by Craig Juricka as Pandolfe and Suzanna Guzman as Cinderella’s conniving mother. Jennifer Juroslavsky was stunning as Cinderella, based on her wide ranging mezzo and emotionally nuanced performance. Her pairing with JoAnna Pope as Prince Charming was splendid, particularly in the second half, when these two marvelous mezzo-sopranos came together. There was excellent choreography in this production by a set of wide ranging young women who imparted this tiny stage with a sylvan atmosphere. Such a fairytale-like quality was a large part of Massenet’s frame of reference and it lended excellence. The use of broad-based humor when appropriate (such as the scene with drunken sisters at the ball) kept the opera light.
Cendrillon included a spectacular South Korean lyric coloratura soprano, Sulgi Cho, as the fairy wielding a goodly amount of power over the fairy tale. Her soprano voice had a high tessitura and seemed pretty effortless most of the time. Her excellent makeup and costume made her look suitably otherworldly.
On a personal note, I think it’s a real shame that superb groups like Opera del West are limited to such tiny spaces that do not fully allow the dancers to be graceful and the opera singers to really let loose when the librettos require. However, such limitations will not prevent me from going back to future productions. I expect them to contain just as much magic as this one does.
Why We Listened to Gene Pitney
This article will be in the “Special Features” (appendix) section of my book-in-progress, Greatest Hits of Junior High, a Memoir of Friends, Bullies, Girls, and Catholics (Illustrated).
Continue reading “Why We Listened to Gene Pitney”“. . . the Twist, the Stomp, the Mash Potato too . . .”
Chris Montez1 had it right. “Any old dance that you wanna do.” When I was 13 at Holton-Richmond Junior High2, attending class in wooden desks with dried-up ink wells, I used to go to the school dances that happened third Friday each month. They were called “mixers,” because that’s what the girls and boys were supposed to do. Mix with adults gaping on. Of course not many of us did. The concept of a sock hop, with minimal supervision and an outta sight disk jockey, was yet to be in Danvers, Massachusetts. Continue reading ““. . . the Twist, the Stomp, the Mash Potato too . . .””